Events

Past Event

UNSUNG STORIES: Women at Columbia’s Computer Music Center

April 9, 2021 - April 10, 2021
1:00 PM - 4:15 PM
America/New_York
Online

UNSUNG STORIES:

Women at Columbia’s Computer Music Center

Virtual Event

Friday, 9 April 2021          1:00 pm – 5:15 pm EDT

Saturday, 10 April 2021    9:00 am – 4:15 pm EDT

 

Unsung Stories: Women at Columbias Computer Music Center is a first step focusing on the legacy of women who have studied and worked at the renowned Columbia-Princeton Electronic Music Center (renamed the Computer Music Center in 1996). The two-day symposium (9-10 April 2021) highlights the work of women, including the work of BIPOC and LGBTQ+ composers and musicians at the Center, examining how institutional networks and intersections of race, ethnicity, gender, sexuality, national origin, and other identifications impacted the daily work, modes of interaction, and visibility of women composers at the CPEMC/CMC historically and in the field more broadly. Unsung Stories features panels and roundtables with over thirty composers/sound artists and scholars who will discuss the lineage, musical excellence, experience, and visibility of the diverse women who have worked at the Center from the 1950s to its recent history.

The symposium is one part of a three-part series, including a podcast and a concert in Fall 2021. A statement about our solidarity with the Graduate Workers of Columbia, GWC-UAW Local 2110 is available on our website:  https://www.unsungstoriescmc.com

 

Unsung Stories is free and open to the public. Registration is required at http://heymancenter.org/events/unsung-stories-women-at-columbias-computer-music-center/

 

This project has received a public outreach grant from the Center for Science and Society, an anti-racism seed grant from the Office of the Vice Provost for Faculty Advancement, and a Diversity Matters grant from the Arts & Sciences' Committee on Equity and Diversity, and is cosponsored by the Fritz Reiner Center for Contemporary Music, the Department of Music, The Institute for Research on Women, Gender, and Sexuality (IRWGS), the Computer Music Center at Columbia University (CMC), the Sound Art Program at Columbia University, and the Barnard Center for Research on Women (BCRW).

Special thanks to the Society of Fellows/Heyman Center for the Humanities for sponsoring and hosting the symposium portion of this project.

Contact Information

Lauren Shepherd